MPR Says
Why Florida Crews Reach for the AMIRA
The ARRI AMIRA camera rental is the call when your production needs ALEXA-grade images in a body a single operator can carry all day. The AMIRA runs the same Super 35 CMOS sensor as the ALEXA family, with 14+ stops of dynamic range and the color science that colorists trust on features and broadcast series alike. If you’re shooting documentary, unscripted, or any long-form content where speed matters as much as image quality, this is the camera.
By David Wells, President, Moving Picture Rental. Updated July 22, 2026
What separates the AMIRA from other shoulder-mount cameras is the built-in workflow. In-camera 3D LUTs let you monitor in a creative grade from take one, so your DP and director see a consistent look on set instead of flat, de-saturated video. The three-stage internal motorized FSND filter framework (0.6, 1.2, 2.1) handles Florida’s brutal midday sun without requiring external matte box filters, which matters when you need to move fast between locations. Add a 13-second boot time and you have a camera that’s ready before your talent finishes their first coffee.
We recently had a documentary crew from Miami running an AMIRA through a multi-day shoot in the Everglades. The shoulder balance meant the operator could work for four-hour stretches without swapping to a tripod, and the internal NDs kept exposure consistent as the light changed from morning overcast to flat noon sun. What surprised them was how clean the audio section is: with physical XLR inputs and phantom power on the body itself, they ran a boom and a lav without a separate audio mixer slowing them down between setups.
High-speed capability rounds out the package. The AMIRA records up to 200 fps in HD and 2K, which opens slow-motion opportunities on any production without scheduling a separate high-speed camera day. For Fort Lauderdale commercial crews covering events, sports, or branded content where you might need a slow-motion hero shot on the same body as your A-cam, that flexibility is hard to put a number on.
Media is CFast 2.0, which keeps storage costs reasonable. ProRes HQ is the most common codec choice for broadcast and streaming delivery, but the AMIRA also supports ARRIRAW for productions where maximum post-production latitude is the priority. Every ARRI AMIRA camera rental leaves our prep bay sensor-cleaned, back-focus checked, and firmware-updated before it ships.
ARRI AMIRA Technical Specifications
All specs verified against the official ARRI spec sheet. Manufacturer reference: arri.com / AMIRA Camera System.
| Specification |
Details |
| Sensor |
ARRI ALEV III CMOS Super 35 (26.40 x 14.85 mm) |
| Resolution |
4K UHD (3840 x 2160, license enabled), 3.2K, 2K, and HD capture |
| Frame Rates |
0.75 to 200 fps in HD/2K; up to 60 fps in 4K UHD ProRes |
| Dynamic Range |
14+ stops |
| Recording Codecs |
Apple ProRes (4444 XQ, 4444, 422 HQ, 422, 422 LT); MXF/ARRIRAW (in-camera license enabled) |
| Media |
2x CFast 2.0 card slots |
| Lens Mount |
ARRI LDS PL Mount (EF and broadcast B4 adapters available) |
| Internal ND Filters |
Motorized Full Spectrum Neutral Density (FSND): Clear, 0.6 (2 stops), 1.2 (4 stops), 2.1 (7 stops) |
| Viewfinder |
ARRI MVF-1 EVF with flip-out monitor panel |
| Audio |
3x XLR inputs (2x 3-pin with phantom power + 1x 5-pin), 4-channel recording |
| Video Outputs |
2x 3G-SDI out |
| Weight |
Approx. 4.1 kg / 9.0 lbs (body with handle and viewfinder mount) |
AMIRA vs. ALEXA Mini: Which One for Your Florida Production?
Same renowned cinematic DNA, optimized for entirely different rigging setups. The AMIRA features native ergonomics tuned for quick handheld shoulder setups and complete onboard audio recording. The ALEXA Mini uses a stripped, compact box design built primarily to fit on remote stabilizers, aerial payloads, and tightly built studio tracking fixtures.
| Feature |
ARRI AMIRA |
ARRI ALEXA Mini |
| Form Factor |
Integrated shoulder-mount body |
Compact block framework |
| Sensor Platform |
ARRI Super 35 ALEV III CMOS |
ARRI Super 35 ALEV III CMOS |
| Max Frame Rate |
200 fps (HD & 2K) |
200 fps (HD & 2K) |
| Integrated Audio |
Native multi-channel XLR inputs on the body |
Requires external adapter or pre-amps |
| Best Fit |
Documentary, ENG, unscripted TV |
Narrative features, commercials, gimbals |
Not sure which body fits your shoot? Call us at 305-522-1361 and we will walk you through the configuration differences.
What’s In The AMIRA Case?
Every ARRI AMIRA camera rental ships production-ready in a custom flight case with:
- 1x ARRI AMIRA camera body with ARRI LDS PL mount
- 1x Integrated MVF-1 electronic viewfinder (EVF)
- 4x V-Mount high-capacity batteries
- 1x Dual V-Mount sequential battery charger
- 2x 256GB CFast 2.0 media cards
- 1x CFast 2.0 USB-3 card reader
- 2x HD-SDI cables
- 1x 12V DC power block supply
- 1x Heavy-duty custom flight case
PL cinema primes and zooms, camera support, and audio accessories are available as add-ons. Browse our full selection of cinema lenses and camera support to complete your package.
ARRI AMIRA Rental FAQ
What lens mount does the ARRI AMIRA use?
The AMIRA ships with an ARRI LDS PL mount, compatible with the full range of PL cinema lenses including ARRI Master Primes, Cooke S4/i, and Zeiss Ultra Primes. EF and B4 mount adapters are also available, giving the AMIRA access to Canon EF stills lenses and broadcast B4-mount zooms. Moving Picture Rental carries a full selection of PL and EF mount lenses to pair with your AMIRA package.
What productions is the ARRI AMIRA best suited for?
The AMIRA is built for documentary, broadcast news, unscripted content, and any production where a single operator needs to move fast. Its shoulder-mount ergonomics, internal NDs, on-board XLR audio, and 13-second boot time make it a strong choice for run-and-gun work where a bulkier cinema camera rig would slow the crew down.
Does the ARRI AMIRA shoot 4K?
Yes. When equipped with the Premium license or 4K UHD update, the AMIRA records 4K UHD (3840 x 2160) directly to CFast 2.0 cards at up to 60 fps in ProRes. For documentary, broadcast, and streaming deliverables, its ALEXA ALEV III sensor produces exceptional dynamic range and color rendition in both 4K UHD and 2K modes.
What media does the AMIRA use, and what cards should I order?
The AMIRA records to CFast 2.0 cards. For ProRes HQ at standard frame rates, a 256GB CFast 2.0 card gives you roughly 60 minutes of record time. For high-speed 200 fps work, plan for faster data throughput and bring extra cards. Moving Picture Rental includes CFast cards with the AMIRA rental; confirm quantities when you request your quote.
Can I get same-day delivery of the ARRI AMIRA in Miami or Fort Lauderdale?
Yes. Moving Picture Rental delivers 7 days a week across Miami, Fort Lauderdale, Orlando, Tampa, and Fort Myers. Same-day delivery is available depending on inventory status and your location. Call your nearest office to confirm availability and logistics for your shoot date.
Complete Your ARRI AMIRA Rental Package
Request your quote today and our team will help you build the right kit for your production.
Logistics and Florida Availability
From documentary shoots in the Everglades to branded content on South Beach, Moving Picture Rental keeps ARRI AMIRA packages staged and ready for productions across Miami, Fort Lauderdale, and Orlando.
Request your quote today, then tell us your filming dates, internal ND options, and any PL lenses, fluid tripod support, or wireless monitoring you want on the truck. Our team builds a custom equipment quote around your schedule.
We deliver 7 days a week to Miami, Fort Lauderdale, Orlando, Tampa, and Fort Myers, and every ARRI AMIRA camera rental package is tested before it ships so it arrives on set production-ready.
The ARRI AMIRA camera rental is the Cinema Line body that goes where bulky studio configurations can’t: active handheld sets, unscripted tracking blocks, and lightning-fast location runs, cutting smoothly into your timeline alongside ALEXA A-cams without heavy grading.
