When shooting on green screen, there is a common expression used on the set; “we’ll just fix it in post.” But, for the best results, and keeping your composite editor sane, it is a good practice to follow these simple tips:
1 : Light your screen evenly. Kino Flos are usually the best; offering a very even light and intensity. Shadows, wrinkles and gradients in intensity can make it more difficult for your compositor to control the colors in post.
[caption id="attachment_93" align="alignnone" width="300"] Lighting is especially important! Key …