The Cineflex V14 HD Camera System

The Cineflex V14 HD camera system has taken aerial cinematography to the next level. Equipped with a technologically advanced gimbal, the Cineflex V14 HD system uses sensors to recognize vibrations and immediately correct the camera accordingly.  This is a vast improvement upon previous gyro gimbal systems that relied on a system of spinning (and sometimes unstable) wheels to capture smooth images.  At about 65 pounds and a mere 14.5 inches wide, this gimbal also allows for more versatile shooting.  Uniquely, the Cineflex V14 Turret can be u …

Digital Hollywood

In recent history, several of Hollywood’s most prominent directors have begun to favor digital cinematography.  For nearly a decade, Michael Mann has been at the forefront of this filmmaking revolution. 

Mann, quoted as saying “the future is digital, without a doubt,” has favored digital video cameras such as the Viper FilmStream and Sony CineAlta HD in the production of his most recent films.  Mann shot around 50 percent of 2004’s “Collateral” in HD after considering the results of low light footage shot with high-end digital came …

Florida Film Incentives

With budget cuts over the past five years, Florida film tax incentives have taken a hit.  After a reduction from $25 million available in 2007 down to $5 million in 2008 then up again to $10.8 million this year, visiting productions to the Sunshine State have varied in volume and become increasingly scarce.  As other states have pushed to get in on the $60 billion U.S. film industry, Florida now more than ever needs to reclaim its title as a film production heavyweight. 
 
Florida’s Office of Film & Entertainment (Tallahassee, FL) pro …

Finally, SLR’s and HD Meet

Canon’s EOS 5D Mark II Digital SLR camera has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor.

[caption id="attachment_127" align="alignnone" width="300"] The full size sensor …

The Highest Definition Hi-Def.

At Moving Picture, here in Miami / Fort Lauderdale area; the workflows of television & film production has been very different. Our video productions are aimed at achieving the best possible picture immediately in the camera, while the film approach separates distinct stages. First capturing an image with a wide dynamic range and then manipulating the picture in either a filmlab, telecine or in post-production.

Based on our High-End Camera rentals, the Sony HDCAM SR Decks, ARRI D-21, Viper FilmStream, Panavision Genesis and the Sony F23 ar …

Green Screen Tips

When shooting on green screen, there is a common expression used on the set; “we’ll just fix it in post.” But, for the best results, and keeping your composite editor sane, it is a good practice to follow these simple tips:

1 : Light your screen evenly. Kino Flos are usually the best; offering a very even light and intensity. Shadows, wrinkles and gradients in intensity can make it more difficult for your compositor to control the colors in post.

[caption id="attachment_93" align="alignnone" width="300"] Lighting is especially important! Key …

Shallow Focus Tips For DV Cameras

Many people think achieving a shallow depth of field on DV formats (especially Mini DV formats with smaller 1/4 inch CCDs) is virtually impossible. Although it can be difficult, it is not impossible.

[caption id="attachment_86" align="alignnone" width="600"] Shallow depth of field can be achieved with a little patience on small DV cameras.[/caption]

Here are some tips for achieving that Hollywood style narrow depth of field effect. First, make sure your subject is placed as far away from the background as possible, this will make throwing the …

AJ-HD1400: Small Package, Big Output.

The Panasonic AJ-HD-1400 is an invaluable solution for HD production. The AJ-HD-1400 records at 100 Mbps with 4:2:2 color sampling and intra-frame compression in multiple U.S. and worldwide Formats.

[caption id="attachment_69" align="alignnone" width="300"] The Panasonic AJ-HD1400 DVCPro HD Recorder/Player.[/caption]
The Multi-format HD/SD system records in 1080/59.94p, 1080/50i, 720/60p, 720/59.94p and 720/50p. The AJ-HD-1400 provides a new D-Sub 15-pin encoder remote control terminal. (component 1080/50i, 720/60p, 720/59.94p and 720/50p. Th …

Kino Diva – Built For Speed

Originally introduced as a portable dimming Kino Flo for videographers, the Diva-Lite has blossomed into an everyman’s soft light for lighting news studios, feature films, television productions and professional still photo shoots.

[caption id="attachment_63" align="alignnone" width="300"] The Kino Flo Diva-Lite 400[/caption]

The latest Diva-Lite 400 cool light boasts Kino Flo’s trademark modular fixture designs with full-range dimming, switching and remote control features.

[caption id="attachment_60" align="alignnone" width="300"] Buil …

Motorola CP200 Walkie Talkies

[caption id="attachment_48" align="alignnone" width="400"] The Rugged Motorola CP200 Walkie Talkie[/caption]

According to Motorola, the CP200 is the best selling walkie talkie in America. At Moving Picture, we specialize in renting walkie talkies to the film and television business, but have also found success in providing two-way communications in other industries such as schools, events and factories. Anywhere a reliable, long-lasting method of communication is helpful, the Motorola CP200 is an easy choice. What are the features that make th …